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Annesa, one of Grazia Deledda’s most enigmatic and dramatic characters, battles with a guilt she suffers when her own strength tempts her to a crime that will save others who won’t save themselves. Annesa has tragically attached herself to the tree of the Decherchi family, once noble but now dry-rotting on hard times. Her lover, Paulu Decherchi, compares her to a suffocating ivy clinging to the dead trunk.
Translated by Martha Witt and Mary Ann Frese Witt
HENRY IV: FOLLOWED BY "THE LICENSE"
December 6, 2015
Luigi Pirandello’s Henry IV opened to general acclaim at the Teatro Manzoni in Milan on February 24, 1922, less than a year after his revolutionary theatrical achievement, Six Characters in Search of an Author. The title of the later play suggests a historical drama, recalling Shakespeare’s great history plays. Yet Henry IV is instead anti-historical in that it “plays with” history, presenting historical events not as sequential and true, but as simultaneous and as an imaginary refuge. Henry IV (whose real name is not given) lives in a fake medieval castle where everyone must wear the costume of a historical figure. He is a twentieth-century Italian aristocrat whose madness traps him in the role of the Holy Roman Emperor, the German Henry IV, who reigned from 1056 until 1105.
SIX CHARACTERS IN SEARCH OF AN AUTHOR
November 3, 2013
Presented here for the first time together, and many for the first time in English, are the writings that formed the genesis of "Six Characters in Search of an Author," along with a new translation of the theater masterpiece itself by Martha Witt and Mary Ann Frese Witt.
BROKEN AS THINGS ARE: A NOVEL
April 1, 2010
From the day that Morgan-Lee is born, her extraordinarily beautiful and withdrawn older brother, Ginx, is obsessed by her. Inhabiting their own parallel world, the two communicate through a secret language and make-believe stories; when Morgan-Lee begins to explore friendships beyond their closed circle, however, Ginx becomes increasingly disturbed. In luminous prose, Martha Witt explores the intense and private world inhabited by these siblings and the inevitable and necessary pain of their separation.
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